Germany
Screens for every mechanism, specified the same way
Projection screens in every mechanism, plus projector mounts. The ranges are split by price tier rather than by mechanism, so the same fabric appears in a tripod screen and a motorised one.
Screens are the part of a home cinema where specifications are most often absent: many listings give a diagonal and nothing else. Gain, fabric, backing and black drop, stated per model, are what make one screen comparable to another.
Above the marketplace screens, below the specialist installation brands. The consistent argument for paying it is the published specification and the availability of the same fabric in several mechanisms.
Motorised · 120 inch · 240 × 180 cm image · 4:3
A large motorised screen in 4:3, which is a format choice rather than an oversight — and the reason to read the aspect ratio before the diagonal.
Best for: A room where a large image matters and the wall has another use — and where the 4:3 format is a deliberate choice rather than a surprise.
≈ 135 €
Tripod · 110 inch · 200 × 200 cm · 1:1 square format
A large square tripod screen — the format that suits mixed use, and the mechanism that suits a screen which does not live in one room.
Best for: A screen that moves between rooms or buildings, where setup speed matters more than absolute flatness.
≈ 95 €
Pull-down · 100 inch · 200 × 150 cm image · 4:3
A spring-roller screen with nothing to fail — the mechanism is a spring and a lock, and the format is the thing to check.
Best for: A room that needs the wall back occasionally, where a motor is an unnecessary complication.
≈ 95 €
90 inch · 200 × 113 cm image · 16:9 · fixed frame
The entry point to fixed-frame projection: a tensioned surface on a rigid frame, which is the only screen construction with no waves in it.
Best for: A room where one wall can be given over to the image, and where flatness matters more than the wall coming back.
≈ 150 €
High contrast ALR surface · motorised · 100 inch · 221 × 124 cm · 16:9
A high-contrast surface on a motorised roller — the ambient-light answer for a room that also has to give the wall back.
Best for: A living room with light that cannot be controlled, where the screen still has to disappear when the film ends.
≈ 1549 €
A rigid frame inside a fabric shell, with both sets of dimensions published — the bag actually designed for a projector rather than a camera.
Best for: A full-sized projector that travels between rooms or buildings with its accessories.
