The screen that travels with the projector · review
A large square tripod screen — the format that suits mixed use, and the mechanism that suits a screen which does not live in one room.
The bottom line A big, plain, square tripod screen — bought for the mechanism rather than the fabric, which is the right reason to buy one.
Being carried, set up in a minute and put away. That defines everything about it: packed size, how the legs behave on carpet, and how high the surface can be raised so a back row sees it.
1:1, square. Both 16:9 and 4:3 material fit without rotating anything, and both leave some fabric unlit. In a room used for presentations as well as films, that flexibility is the point.
A gain figure, and a keystone bar. The second is worth checking: most tripod screens include a bar at the top that tilts the fabric backwards to compensate for a projector placed low. Without one, the correction has to happen digitally in the projector, which costs sharpness.
The tripod, not the fabric. A screen that will be set up two hundred times breaks where it folds, and a metal leg assembly outlasts a plastic hub. That construction detail is worth more here than any surface specification.
200 cm of width is large for a portable screen. It also means a longer, heavier package — the trade every tripod screen makes.
On sale at around 95 € on the German, French and Spanish Amazon stores at the time of checking.
The French and Spanish Amazon listings are priced above 1.6× the cheapest store, which is normally a reshipping offer rather than a local price; they are left out of the range above.
Listed but with no offer on the American and British Amazon stores — the reference exists there and nobody is currently selling it.
Not found on the Italian Amazon store, where the buy link falls back to a local search rather than to a page that does not exist.
Prices and availability are what Keepa reported on the date this page was updated; both move.
Prices quoted in this text were read on 4 September 2026. The live price is at the top of the page.
| Size | 200 × 200 cm, 110 inch diagonal — stated |
|---|---|
| Format | 1:1 square — stated |
| Mechanism | Tripod — stated |
| Gain | Not published in this listing |
| Keystone bar | Not stated |
| Amazon reference | B00MN5R98G (same reference on 5 Amazon marketplaces) |
| EAN | 4260094735943 |
A bar at the top of the screen that tilts the fabric backwards, so a projector placed low still hits a surface that is square to it. It compensates mechanically for what would otherwise need digital keystone correction, and digital correction costs sharpness.
Less flat than any of the other three mechanisms, and adequate for the job they do. They are set up, used and put away, and the surface has neither the tension of a frame nor the settling time of a permanent roller.
Tripod · 155 × 87 cm image · 16:9 · pre-assembled tripod · carry bag included · fast setup
A tripod screen designed around the part that actually matters — how quickly it goes up — with the stand pre-assembled and a bag in the box.
Best for: A screen that travels regularly — meetings, a garden, a different room each time — where setup time is the real specification.
≈ 85 €
Tripod · 178 × 100 cm image · 16:9 · height adjustable 200–250 cm
A tripod screen that publishes its height range — 200 to 250 cm — which is the specification that decides whether the back row can see it.
Best for: A room where people sit or stand behind each other — a meeting, a party, a garden — and the surface has to be raised above heads.
≈ 30 €
Tripod · 100 inch · 16:9 · lightweight and compact · indoor and outdoor
A 100-inch tripod screen in 16:9 — the largest sensible portable size, with the compromise on stability that comes with it.
Best for: A garden in summer and a spare room the rest of the year, where the image should be as large as a portable screen sensibly goes.
≈ 94 €
